I was tempted to do a review of One Million B.C. (1940) with Victor Mature and Carole Landis as it introduced Victor Mature as a hunky leading man. Carole Landis wasn’t hard on the eyes, either. What was hard on the eyes was its horrific special effects. Thankfully, the director did what he could to hide the rubber suits behind lots of studio shrubbery. With the help of Ray Harryhausen, the historically inaccurate dinosaurs featured in the 1966 remake of One Million Years B.C. were far better. (Please note the slight name change.) There still were real critters blown up large on the screen as in the earlier movie, but Harryhausen claimed he did this so that the audience would think the creatures were real. I don’t think anybody bought that explanation, but they did buy tickets. This is no historical drama. This is a caveman movie. A flick that’s guaranteed to show a lot of skin under skinned skin. It was the highly unrecognized wardrobe efforts of Carl Toms that produced one of the most recognizable images from One Million Years B.C. , Raquel Welch in a fur bikini, that would go on to be a pop-culture icon.
The Home of the Creative Mind
Welcome to PooBahSpiel, the online voice and home of the creative mind of Mark Monlux, Illustrator Extraordinaire. Prepare yourself for an endless regaling of art directly from the hand of this stellar artist. And brace yourself against his mighty wind of pontification. Updates are kinda weekly and show daily sketches, current projects, and other really nifty stuff.