By all accounts, Emma Hamilton was quite an interesting person. A daughter of a blacksmith who died when she was two, she was a girl of the 1700s who had limited options. So she pushed past these limitations by pushing aside convention. At the start of That Hamilton Woman, the audience is teased with her history, a history presented so colorfully and cheerfully that we think it must be a tall tale or outlandish gossip. In reality, it barely touched on the truth. This whole movie barely touches on the truth. But it does a good job of providing the audience a sense of the deep, unrelenting love between two people whose combined remarkable talents were drawn upon by their country, and feel the sorrow of the tragedy that befalls even the most common of people. While the movie may not accurately reflect what actually happened, viewers can empathize with its dramatization as well as they can empathize with the secret lives unknown to history.
The Home of the Creative Mind
Welcome to PooBahSpiel, the online voice and home of the creative mind of Mark Monlux, Illustrator Extraordinaire. Prepare yourself for an endless regaling of art directly from the hand of this stellar artist. And brace yourself against his mighty wind of pontification. Updates are kinda weekly and show daily sketches, current projects, and other really nifty stuff.
Monday, August 13, 2018
Wednesday, August 8, 2018
Northwest Passage is one of the lesser-known great Epic pictures. Its budget was larger than the previously more costly epic, Ben-Hur. They would have spent more money, but the studio pulled in the reins. Northwest Passage was based on the book written by Kenneth Roberts in the ‘30s. It competed strongly with “Gone with the Wind” for the best-seller slot, but never managed to dethrone “Gone with the Wind.” MGM decided to cash in on the book’s popularity. Originally two movies were planned. The first movie, or “Book 1,” would cover Rogers’ Rangers’ various skirmishes at the time of the French and Indian war. “Book 2” would cover Rogers’ Rangers as they searched for the Northwest Passage. Kenneth Roberts accurately portrayed the thoughts and feelings of the settlers towards the Indians. It’s not pretty in the book and it’s not pretty on the screen. Even by 1940s’ standards, the racist stereotypes in Northwest Passage were a bit over the top. Roberts thought the fix was in for not making a sequel because one key character to both stories was left out of the movie. He was also very unhappy with how the movie was adapted. Maybe the fix was in, or maybe it became clear to MGM that Northwest Passage was not going to have a strong enough return to merit a second movie. Regardless, what we have is a grand epic that is an embarrassment to the populace that would like to think of itself as culturally sensitive—and a misleading title because the only mention of the Northwest Passage is at the end of the movie. So, if you can stand a grand Hollywood epic which depicts a massacre of Indians in outrageous Technicolor, this is the film for you.