The Return of Stickman #1589

The Comic Critic Reviews "The Man Who Fell to Earth"

I saw The Man Who Fell to Earth in the theater when it came out in 1976. Who wouldn’t want to see David Bowie in a movie? This would be his first time starring in a motion picture. I was a little disappointed that none of his music was used, but aside from that, the movie met all of my expectations: it had David Bowie, it was a science-fiction fantasy, there was beautiful imagery, and I anticipated being confused. I was fourteen—almost everything confused me. A lot of things still confuse me. But The Man Who Fell to Earth doesn’t confuse me nearly as much now as it did then. The film is all about confusion, confusion of identity, of purpose, of morals. It can be seen as an allegorical story where youthful ideology is bludgeoned by cruelty of greed, corruption, vice, and loss. David Bowie had just left his gender-bending, glam-rock persona of Ziggy Stardust and was in his Thin White Duke era. For a confused adolescent such as myself, to see someone unabashedly being anything he felt like being, to express himself as wildly or sedately as he saw fit, and all the while being suavely cool, David Bowie was quite the inspiration. I walked into The Man Who Fell to Earth hoping for a guided tour of trippiness from Bowie—and he delivered.

The Return of Stickman #1589

Traditional forced pun-driven gag humor. Not my forté.

The Return of Stickman #1588

True story. I wonder if they found her. Maybe she shaved her beard. I thought about doing this strip from the stabber's perspective with her shaving off her beard in a gas station or something. The strip you see was a lot easier to compose as no thinking was involved. I'm all about no thinking.

The Comic Critic Reviews "Kelly's Heroes"

Kelly’s Heroes was a successful movie despite the studio’s meddling. It was meant to be a vehicle for Clint Eastwood to increase his growing stardom. Indeed, his star would continue to rise with a series of successful films that would leave a trail of iconic characters and oft-quoted lines. But Kelly’s Heroes didn’t spotlight Eastwood as well as it could have. For one thing, a fair portion of the script was either thrown out or ended on the cutting room floor. For another, all of the other actors did a terrific job with their characters and kept stealing scenes. Eastwood ends up playing straight man Abbott to every other actor’s Costello. The magic of Kelly’s Heroes is that this level field amongst the actors created a sense of camaraderie that radiated off the screen. You end up empathizing with this band of shysters, thieves, and hooligans. Even after editing, enough war commentary was still left in the story to make it relevant to an audience still in the throes of dealing with the impact of the Vietnam War. Kelly’s Heroes was warmly received by an audience enjoying a wave of WWII films. War movies seldom have an enduring charm, but this one does. You’ve got some great acting portraying unique characters, very good writing, non-CGI battle scenes, and a soundtrack that you will be humming for a few days. It’s well worth a viewing.

The Return of Stickmna #1587

There is no news story for this strip. My New Year Resolution is to be less of a @#$%. I'm less than a week into the New Year and I'm already finding it to be a challenge. I used to think I was a nice guy. Now I'm thinking that maybe I've been a bit of a @#$% and should make an effort to be less of a @#$%. But, it's hard. Especially when ____________.

The Return of Stickman #1586

The news story that inspired this strip was pretty straight forward. I man is at a gym working out on a treadmill. A truck crashes through the wall and hits him. It's one of those stories that writes itself.