Part of me wishes I could have been there for Metropolis’s debut. It was a time of explosive imagination. It was at the very start of film. No rules had been set to govern it; no preconceptions were available to hamper it, even the definitions of new words to describe it were in flux. And into this brand new media came this extravagant science fiction drama, filled with cultural, philosophical, ideological, and artistic references, some old and others just entering public discussion. It’s no wonder that nearly all of its imagery has become iconic. Yet, because Metropolis’s influence on the science fiction genre was so enormous, part of me is grateful that I wasn’t there in 1927. If I were, I couldn’t help but compare everything that came afterward to that first awe-inspiring viewing experience.
A little personal note here. I have a tremendous love for movies. But if I collected a DVD of every movie I enjoyed, there wouldn’t be any room in my house for furniture. So, it was a strictly survivalist decision to limit it, using personal nostalgia as my guiding factor. After a lot of thought, I realized two qualifiers that would allow a movie to enter my collection:
1. Any pirate movie.
2. Movies in which robots are the primary focus or are heavily featured.
You might think that the first thing I did was pick up a copy of Pirates of the Caribbean, but you’d be wrong. I established my video collection rules two years before Pirates of the Caribbean was released. No, the very first was Metropolis.
