Everybody is always going on about how The Godfather is a fantastic gangster movie. And, yes, I do agree; The Godfather is a cinematic masterpiece. But I wanted my review to remind the readers that other terrific gangster movies exist. In fact, an argument could be made that the decades’ accumulation of movies featuring rackets, syndicates, and mob bosses educated the public enough about organized crime. When presented with a story line of an ethnic group assimilating its heritage into a new identity revolving around American capitalism, it could be easily understood in the setting of a gangster movie. Part of the reason The Godfather was so successful is that the book was well researched and finely written. The director, arguing with the studio every step of the way, created a rich view of the Corleone world with stellar performances, thoughtful sets, incredible sound, and a haunting musical score. The Godfather is one of those rare exceptions where the movie transcends the reading experience. Indeed, the movie has such strength that four decades later, The Godfather retains the same viewing power as it did upon its release, and consistently remains prominently placed as one of the One Hundred Best Movies of All Time. But would it hurt you to watch a James Cagney or Edgar G. Robinson movie, too?
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Tuesday, December 4, 2012
The Comic Critic Reviews The Godfather
Everybody is always going on about how The Godfather is a fantastic gangster movie. And, yes, I do agree; The Godfather is a cinematic masterpiece. But I wanted my review to remind the readers that other terrific gangster movies exist. In fact, an argument could be made that the decades’ accumulation of movies featuring rackets, syndicates, and mob bosses educated the public enough about organized crime. When presented with a story line of an ethnic group assimilating its heritage into a new identity revolving around American capitalism, it could be easily understood in the setting of a gangster movie. Part of the reason The Godfather was so successful is that the book was well researched and finely written. The director, arguing with the studio every step of the way, created a rich view of the Corleone world with stellar performances, thoughtful sets, incredible sound, and a haunting musical score. The Godfather is one of those rare exceptions where the movie transcends the reading experience. Indeed, the movie has such strength that four decades later, The Godfather retains the same viewing power as it did upon its release, and consistently remains prominently placed as one of the One Hundred Best Movies of All Time. But would it hurt you to watch a James Cagney or Edgar G. Robinson movie, too?
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