Originally slated as a B-movie by Metro-Goldwyn-Mayer, The Thin Man was quickly completed in less than two weeks. The film then surprised the studio by becoming a box-office hit. I’d like to remind my readers that Prohibition was repealed on December 5th, 1933. The Thin Man, which features a tremendous amount of drinking, was released in the spring of 1934. A few audiences complained about the excess, but a thirsty country coming off a dry spell waved them off. Perhaps it was this new tolerance that kept the censors from applying their scissors to the innocent innuendo, often ad-libbed, found in the merry banter of a loving, married couple. The true fun ofThe Thin Man is that the main characters of Nick and Nora have such on-screen chemistry that they come across as intoxicating instead of intoxicated. The dialog provides the humor, not the alcohol. The grace of the performers, William Powell and Myrna Loy, made a statement the audience could rally behind. Smart, happy people could indulge and could still be smart, happy people. Now my theory might seem half-cocked. There’s a mountain of reviews about why The Thin Man was a good movie in 1934. But everyone agrees the movie has legs. You will find it just as clever and entertaining today was when it was released.
You might even be inclined to check out its six sequels: After the Thin Man (1936) Another Thin Man (1939) Shadow of the Thin Man (1941) The Thin Man Goes Home (1945) Song of the Thin Man (1947) |
The Home of the Creative Mind
Welcome to PooBahSpiel, the online voice and home of the creative mind of Mark Monlux, Illustrator Extraordinaire. Prepare yourself for an endless regaling of art directly from the hand of this stellar artist. And brace yourself against his mighty wind of pontification. Updates are kinda weekly and show daily sketches, current projects, and other really nifty stuff.
Showing posts with label 1934. Show all posts
Showing posts with label 1934. Show all posts
Monday, May 16, 2016
The Comic Critic Reviews "The Thin Man"
Monday, May 9, 2016
The Comic Critic Reviews "It happened One Night"
It Happened One Night
was
the first movie to win all five major Academy
Awards: Best Picture, Director, Actor, Actress, and Screenplay.
Not bad for a film that initially didn’t
fare well when it first hit the theaters. It was when it began its round at
second-run theaters
and small theaters out in the sticks that audiences started attending en mass.
There’s a theory that folks who lived in rural
areas identified with the settings of bus travel and pop-up roadside cottage
inns. It’s said that tickets on Greyhound buses had
a bump in sales as a result of the film. But what I want to talk about
is how It Happened One Night influenced popular culture. Clark
Gable’s character, Peter Warren, talks while
filling up his mouth with carrots. Another character who addresses Warren as “Doc” is then asked by
Warren if he’s heard of Bugs Dooley. Six years
later, these various tidbits would flow into a cartoon character called Bugs
Bunny. Moments, lines and scenarios from It Happened One Night
have
been paid homage in a slew of films and cartoons. It Happened One Night is a fun romp that audiences went crazy for
back in the ‘30s, and it’s well worth your time to watch and see how it became the
source of so much material used later in film.
Monday, October 28, 2013
The Comic Critic Reviews Maniac from 1934
You might be thinking that I’ve reviewed Maniac already. Well, I did review a Grindhouse
classic from 1980 by the same name, but this Maniac is a black-and-white exploitation film from 1934. Being
independently produced, this Maniac
was not chained to the Hays Code standards to which the studios were enslaved.
It also lacked the studios’ wealth of talent. Some of the actors didn’t receive
screen credit. Others were
gathered from the vaudeville circuit and apparently realized a chance for an
oversized performance on film. Maniac
is extremely weird. You can see it as either humorously bad on an epic scale,
or as a brilliant work surreally delivered. It seems at times to diagnose
itself as schizophrenic. Following the premise of Maniac is like trying to follow a bean in a carnival shell trick. I
finally settled on the definition, “It’s so bizarrely
awful, it’s entertaining.” And you have to wonder if an independent sex
exploitation film from the ‘30s can pass the Bechdel Test, what’s keeping
modern Hollywood from reaching the same high bar?
The Bechdel Test
1 1.
Has to have at least two women.
2 2.
Who talk to each other.
3 3.
About something other than a man.
I promised you photos from the pumpkin carving contest last week. Here they are:
And below is my pumpkin.
And how it looks at night.
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