I
was tempted to do a review of One
Million B.C. (1940) with Victor Mature and Carole Landis as it introduced
Victor Mature as a hunky leading man. Carole Landis wasn’t hard on the eyes,
either. What was hard on the eyes was its horrific special
effects. Thankfully, the director did what he could to hide the rubber suits
behind lots of studio shrubbery. With the help of Ray Harryhausen, the
historically inaccurate dinosaurs featured in the 1966 remake of One Million Years B.C. were far better.
(Please note the slight name change.) There still were real critters blown up
large on the screen as in the earlier movie, but Harryhausen claimed he did
this so that the audience would think the creatures were real. I don’t think
anybody bought that explanation, but they did buy tickets. This is no
historical drama. This is a caveman movie. A flick that’s guaranteed to show a
lot of skin under skinned skin. It was the highly unrecognized wardrobe efforts
of Carl Toms that produced one of the most recognizable images from One Million Years B.C. , Raquel Welch
in a fur bikini, that would go on to be a pop-culture icon.
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Welcome to PooBahSpiel, the online voice and home of the creative mind of Mark Monlux, Illustrator Extraordinaire. Prepare yourself for an endless regaling of art directly from the hand of this stellar artist. And brace yourself against his mighty wind of pontification. Updates are kinda weekly and show daily sketches, current projects, and other really nifty stuff.
Showing posts with label 1966. Show all posts
Showing posts with label 1966. Show all posts
Monday, November 6, 2017
Sunday, July 24, 2016
The Comic Critic Reviews "Fantastic Voyage"
The Cold War inspired
a genre of technology-race movies.
Fantastic Voyage was novel in that it was about reduction technology. Then
add to that the concept of seeing the human body from the inside on a cellular
level—fantastic is the word. Audiences came to see how ingenious Hollywood
could be in depicting the human anatomy with all its functions. This movie often
played on television when I was growing up. What little kid wouldn’t be excited
about seeing a submarine journeying through veins? The Proteus was rather cool-looking
for the day. I loved the cool glass dome on the roof and the big fins. I wasn’t
concerned about the Cold War aspects of the film. For me it was all about the cool-looking
stuff, the giant cells, what they did, and the lasers. There have been a lot of
other reduction sci-fi films over the years—some of them pretty good, like Inner Space. But nothing beats Fantastic Voyage as a classic that
influenced pop culture. I wanted this strip to reflect my childlike excitement
for Fantastic Voyage.
Winner of two Academy
Awards.
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