I saw The Man Who
Fell to Earth in the theater when it came out in 1976. Who wouldn’t want to
see David Bowie in a movie? This would be his first time starring in a motion
picture. I was a little disappointed that none of his music was used, but aside
from that, the movie met all of my expectations: it had David Bowie, it was a
science-fiction fantasy, there was beautiful imagery, and I anticipated being
confused. I was fourteen—almost everything confused me. A lot of things still
confuse me. But The Man Who Fell to
Earth doesn’t confuse me nearly as much now as it did then. The film is all
about confusion, confusion of identity, of purpose, of morals. It can be seen
as an allegorical story where youthful ideology is bludgeoned by cruelty of
greed, corruption, vice, and loss. David Bowie had just left his gender-bending,
glam-rock persona of Ziggy Stardust and was in his Thin White Duke era. For a
confused adolescent such as myself, to see someone unabashedly being anything
he felt like being, to express himself as wildly or sedately as he saw fit, and
all the while being suavely cool, David Bowie was quite the inspiration. I
walked into The Man Who Fell to Earth hoping
for a guided tour of trippiness from Bowie—and he delivered.
The Home of the Creative Mind
Welcome to PooBahSpiel, the online voice and home of the creative mind of Mark Monlux, Illustrator Extraordinaire. Prepare yourself for an endless regaling of art directly from the hand of this stellar artist. And brace yourself against his mighty wind of pontification. Updates are kinda weekly and show daily sketches, current projects, and other really nifty stuff.
Showing posts with label 1976. Show all posts
Showing posts with label 1976. Show all posts
Saturday, January 30, 2016
Tuesday, November 12, 2013
The Comic Critic reviews Bugsy Malone
Bugsy Malone is a
charming movie that thoroughly entertains. While not huge at the box office, it
has legs. Bugsy Malone continues to pop
up in various movie lists from the Top 100 Musicals to the Top 100 Mobster
movies. The music, one of the movie’s strengths, is also one of its greatest
weaknesses. They should have let the kids do the singing rather than dubbing in
adult singers. In a gorgeously unique period film that’s cast with only
children, pedal cars, and a huge amount of custard, its adult dubbing felt odd.
The music itself is very strong, being covered over the years by great
performers and continues to pop up in odd places—like the
game Grand Theft Auto. This isn’t too surprising. Bugsy Malone was nominated for a few Oscars and the one it walked
away with was for Best Original Score. Various movies and television shows have
paid homage to Bugsy Malone through
references to scenes and characters. It’s an endearing film that captures a
cult audience every generation.
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