Innocence is an Australian
film. I was intrigued by the premise of a widower taking it into his head to
call his first love. Social media has made reconnecting with old friends
extremely easy and commonplace. But at the time this movie was made, MySpace
had yet to start. The way you got in touch with people was by tracking them
down with a phone book, and by reaching out to mutual friends to see if they
had a valid phone number. Perhaps Innocence
caught my attention because I would do this quite a bit. Most of the time, I
had no success. I empathized with the desire to reconnect with people who meant
something to me. I wanted to reassure myself that they went on to lead happy
lives. There was always that hope that a rekindled friendship would bring more
into my life than melancholy remembrances. Innocence
takes that silent hope and explores how invigorating the world can be when old
love is renewed and set ablaze. The first time around, you have no idea of what
you are doing, what commitment means, or what changes will take place within
your life as a result. The second time around, you have no idea of what you are
doing because you do know what commitment means, and you do know what will take
place in your life. The measurement of how to live is seen from a different perspective
as a future might consist of only a few good years, if that. And that is only
the start as there is a ripple effect that travels through the very foundations
of not only yourself, but your family members as well. I found Innocence extremely engrossing, its
explorations of these concerns touching, and its writing
superior. It’s not the last grasp at romance movie you would expect.
The Home of the Creative Mind
Welcome to PooBahSpiel, the online voice and home of the creative mind of Mark Monlux, Illustrator Extraordinaire. Prepare yourself for an endless regaling of art directly from the hand of this stellar artist. And brace yourself against his mighty wind of pontification. Updates are kinda weekly and show daily sketches, current projects, and other really nifty stuff.
Showing posts with label drama. Show all posts
Showing posts with label drama. Show all posts
Tuesday, July 16, 2019
Monday, March 11, 2019
The Comic Critic Reviews "The Comedians"
François
Duvalier, also known as Papa Doc, was the president of Haiti when this movie
came out. His was an extremely oppressive totalitarian regime. The Comedians had to be filmed in The
Republic of Benin, then known as Dahomey, because filming it on Haiti would
have been impossible. The Comedians
is a political drama meant to illuminate the ever-increasing desperate
conditions imposed upon the Haitian people. It was also meant to poke at the
inadequacies of embassy relationships with a dictatorship. And it also has a
rocky love story woven into its tapestry. The movie was filled out with an all-star
cast, including the legendary Lillian Gish. Amongst the cast were several
African-American actors whose careers would only get larger. The title The Comedians comes from the concept
that everybody is on a world stage where lines are being crossed not so much
for the humor of those involved but for the gods. The theme of everybody’s life
as a dark and ridiculous joke is a harsh sentiment that makes for a great
novel, but it might have made it a challenge for a wider film audience. Critics
might have found mild grievances with the story, but nearly everyone agrees the
performances were superb. A short documentary titled The Comedians in Africa, chronicles the difficulties the cast and
crew faced shooting a politically charged film in an alternative location.
Watching both the movie and the documentary on DVD made up for my original
experience, years before, of watching a heavily edited television version.
Monday, October 15, 2012
The Comic Critic Reviews Siam Sunset
I was fortunate enough to vacation in Australia for three weeks. It was a wonderful, memorable experience filled with unexpected surprises, adventure, and enchanted evenings. Even before the trip, I enjoyed watching films from Down-Under. Australian films don’t try to copy Hollywood. (If anything, Hollywood tries to capture some of the magic that gets produced from the Land of Kangaroos. Too often Hollywood over-applies its well-known techniques in pursuit of a larger audience.) The reason I find Australian films so enjoyable is that they don’t worry about capturing a massive audience; they’re more concerned about the right audience finding them. Even though my wife and I stayed in Australia for nearly a month, it wasn’t long enough. We’re thankful when we can recapture some of our experiences through the movies they produce. And Siam Sunset is one of the best we’ve seen.
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